The café is an upgrade to Starbucks, seeing as I’ve been
served a gleaming white, porcelain teapot, the steam of the water warming the
exterior of the molding. The check too is an upgrade in price: five euros for a
pot of tea. Slightly steep, yet in consideration, 5 euros is relatively little
given:
a) the café provides me with a
setting to pass the hour until I’m expected to be home for dinner and
b) Parisian price gauging
guarantees that anything warm and drinkable this time of the year will undoubtedly be unreasonably expensive.
There’s an edgy feel to the atmosphere of the café, one created by
the interior's dim lighting reflected onto the dark wood furnishing. The interior is narrow,
offset by the room’s central staircase leading to an elevated second floor
seating.There's an entrance outside as well, covered by the characteristically
French red clothed roofing. A single woman sits outside reading the day’s newspaper, a tilted
cigarette dangling between the barriers of her bent fingers. Inside, a few men
linger by the bar, alone, all making casual banter with the bartender—a
thin framed man bearing a thicket of hair alongside the edges of his receding hairline. The café’s host, a tall man with a grizzle of a five o’ clock
shadow, paces back and forth. He’s made his way over to my table quite a few
times, already asking if he could accompany me on my return to the states.
(Return to the states? Not even sure where’s he getting that idea. As if I’m
leaving.) It’s likely a good thing that the expanse of my vocabulary doesn’t
include snide nor witty comments in return. I wouldn’t want the host to have
the wrong impression.
It’s 6:15 pm here. The streets are alive with the bustle
of the evening traffic, a stir of activity along the pavements as pedestrians
rush along. The city changes in rhythm come evening time, a vibrant sense of
character, of the continuation of the day past that of the work day, that
emerges-- a strong sense of a renewed vivacity embedding the onset of the
Parisian’s evening agenda. For the French, the workday is merely a part of the
day. And the ending of the day’s responsibilities marks the opening for the day’s
next chapter.
Which at 6:15 is tea time. Because dinner, in France, doesn’t
commence until at least 8. Or 10. Here, dinner is an evening ordeal, a venue to
socialize, a setting to enjoy the company of another, a manner of soaking in
the movement, the character, the feel of the city.
I’ve yet to adapt to the prolonged European evening, still
accustomed to the early and rushed dinners common to the American lifestyle.
Yet I’m intrigued by the difference: the prolonged use of the day, the workday simply
a part of the day rather than the
day. I love the cafes (that is, excluding the elevated price of tea and hot
chocolate). I love observing these people, noting the vibrancy of their ways. I love the energy and urgency of the city. And I love the touch of peace laced among the blur as life in Paris passes by.
1 Response to My hour in the café
My favorite part: the workday as a part of the day, not the day in entirety. So true but an analogy I never picked up on.
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